Yayoi Kusama posing in Aggregation: One Thousand Boats Show, 1963.
les enfants terribles, jean-francois carly for exit magazine, 2001
“Nothing is accurate. Nothing is right. And who would see clots of blood for beautiful roses? (They ask.) Presuming the wet, real grass is just yours, the garden where everything is flourishing, the sidewalk where a chicken bone lies, the way the morning takes its time to unwrap, and the street begins to fill like a play—nothing you lay your eyes upon is just yours. And it is also all yours.”
— Bianca Stone, from “Letter to a Letter to the Editors,” The Möbius Strip Club of Grief
(via lifeinpoetry)
(via lifeinpoetry)
I Could Fall In Love With You (cover)
Solange
Solange
I Could Fall In Love (Selena cover) // Solange
INDIA. Jammu and Kashmir. Srinagar. 1999. Saffron harvesting. An acre yeilds only a few pounds of the world’s most costly spice. Lush fields and placid lakes once drew more than half a million visitors a year, but civil unrest has shattered Kashmir’s calm and left tourism in shambles. By Steve McCurry
Edward Hopper Loneliness
New York Office, 1962
Eleven A.M., 1926
Automat, 1927
Summertime Interior, 1909
Compartment C, Car 193, 1938
Lady Reading Book Hotel Room, 1931
“Too much that can neither be written nor kept inside!”
— Tomas Tranströmer, from “Lament,”
Bright Scythe: Selected Poems by Tomas Tranströmer
(Sarabande Books, 2015)
(via metaphorformetaphor)
(via metaphorformetaphor)